Download PDF Avengers Epic Collection: This Beachhead Earth (Avengers (1963-1996)) By Roy Thomas
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Ebook About Collects Avengers (1963) #77-97; Incredible Hulk (1968) #140.Roy Thomas’ epic run continues with the origin of the Black Panther, the debut of the Lady Liberators, the return of the Squadron Sinister and the all-time classic Kree/Skrull War! Caught in a cosmic crossfire, Earth has become the staging ground for a conflict of star-spanning proportions! Two eternal intergalactic enemies — the merciless Kree and the shape-shifting Skrulls — have gone to war, and our planet is situated on the front lines! Can Earth’s Mightiest Heroes bring about an end to the fighting before humanity becomes a casualty of war? And what good are even a dozen super-powered champions against the vast military machines of two of the greatest empires in the cosmos?Book Avengers Epic Collection: This Beachhead Earth (Avengers (1963-1996)) Review :
The Kree/Skrull story incomplete and Avengers/Hulk crossover also incomplete in the kindle edition. Don't know about the tbp though. Dissapointed! Like a mug, I bought the Avengers-Skrull/Kree War story in a separate book el cheapo a few months ago, so I here I am doubling up needlessly. Never mind, it could hardly be left out of this run, and it is undoubtedly the highlight of the book, which is otherwise generally uneventful, mostly a lot of heavy-handed grim seriousness, with lots of gnashing teeth and shouty urgency. Roy Thomas was a good writer, but he took it all very seriously, verging on the pretentious, and lacking the light-hearted sense of frivolity amid the melodrama that Stan brought to the table in Fantastic Four, Daredevil, and Spider-Man. There’s a lot of phoney drama, for example, made in 80/81 from the fact that the Avengers might ‘be finished’ because they split into groups to tackle various menaces over the next few issues, but single super-heroes tackle sinister groups of bad guys frequently, and there are more than enough of them to deal with both immediate problems; characters come and go in the Avengers all the time, as well as keeping busy in their own books. Throughout Thomas’ tenure on the series, individual players dramatically depart ‘forever’ (Black Panther, Vision, Henry Pym) and then come back five minutes later…! Despite all this fraught introspection, Thomas’ skill at writing and the polished artwork keep things moving along nicely, even if it’s all a bit silly if you stop and think about it. The answer is not to, and go with the flow. These are only super-hero comics, after all, but with pretensions to be more than they are. Comics work better without them. By the way, the paperback version of this release is complete.The art is by the Buscema brothers, with a nice chunk at the end from Neal Adams. I’ve never been as big a fan of Neal Adams’ art as some, although rather him than many others, but IMHO he did his best work during this period, on Inhumans (with which this story overlaps) and Avengers (93–96), particularly the Ant-Man sequence. And Adams draws a great Skrull! (But a not so great Thing…). Adams’ inability to finish the job with 97’s final episode is a disappointment still (but it is in the paperback; Tom Palmer's inks help hide his absence). And although I really hate the faces he draws, Sal Buscema is not so bad on his issues here (86–92, although fill-in 78 is ghastly); this is arguably his best work for Marvel along with his inks on Barry Smith’s Conan. He seems far more creative than usual on layouts.The other stories in this book are illustrated by John Buscema, his older brother, influence, teacher, and superior, who was the main artist on Avengers from issue 41 to 85 with just a few exceptions, and on a further lengthy run from 255 to 300. The inking skills of the great Tom Palmer are a vast help whenever he was available, although some of the material doesn’t deserve him; he was better placed enhancing the great (Daredevil, Dracula) than saving the second-rate.Other than the Skrull/Kree War, and Avengers 82, about the capture of Manhattan, which is a mini-gem, the stories are weak, the concepts lame; they include a faddish strident sword-wielding, breast-plate wearing militant feminist who unites all the misguided female super-girls against the guys but hmm, might have a point, a noble and misguided mystical Native American, a typical recurring cliche of the early ‘70s and hmm, might also have a point, and a pantomime evil capitalist property developer complete with twirly moustache, waistcoat and cigar. Other lowlights are the ridiculous Man-Ape in 78, the slobbering and squabbling Lethal Legion of no-hopers, and writer Roy Thomas’ bromantic obsession with the late psychopathic sci-fi writer Harlan Ellison in an Avengers/Hulk crossover, which is embarrassing and self-indulgent. Ellison was a massive comics devotee, and Thomas was a fawning fan, so it all worked out rather well for everybody but the readers. Ellison got to plot a story (if you can call it a plot—talk about slumming), and Thomas got to drop in endless tiresome and sycophantic nudge-nudge-get-it? references to Ellison SF stories. Thomas also delighted in parodies of other companies’ characters, and reviving Golden Age wartime heroes, and both passions are indulged in here with Arkon (a sci-fi Conan), the Squadron Supreme (a pointless Justice League parody), and the climax of the Skrull/Kree war, which bizarrely sees a small army of WWII super-heroes come charging to the rescue. For Thomas, it was a case of the more the merrier (the covers are often a mess of flying figures), and readers unfamiliar with Marvel’s array of characters and their complicated histories may struggle, but that is the nature of Avengers; the comic has always been a bit hardcore. Whereas Stan wrote for everyone, Roy began and perfected the fashion for writing exclusively for the devoted. A new reader, picking up his first Marvel comic, would have been baffled and lost. He was a literate fan-turned-writer living the dream, who wrote for comic-book nerds with perfection, and a good story-teller. His idea of fun was a sly in-joke, or a dig at something uncool. But while lacking Stan’s sense of humour to offset the melodramatics, he always knew how to do a good finish and final panel.All the Silver Age Avengers Epic Collections have had great cover choices, and this keeps up the tradition. Many of the covers were crass and downmarket during the period these issues were produced in, and Marvel’s insistence on completely superfluous word balloons, along with the general clutter of excess characters, makes finding a classy offering for the front of the book a major challenge. Fortunately the production team have taken a striking image of the Black Panther from 87 and vastly improved the garish colouring of the original. As the book opens, the minor league Avengers lead by Captain America are still prominent, but as we progress, Thor and Iron Man gradually start to move back in to prime position, with the replacement team as back-up.So—not a good choice for newbies, movie fans, and beginners, but a huge slab of fun for super-serious uber-nerds who either know it all, or want to know it all. I liked Brain-Child (86). Brain-Child was fun.purchased on Amazon u.k. 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